1
00:00:15,734 --> 00:00:18,734
♪

2
00:00:23,834 --> 00:00:26,600
(woman) ♪ WHAT IS THIS THING ♪

3
00:00:26,600 --> 00:00:30,300
♪ CALLED LOVE? ♪

4
00:00:30,300 --> 00:00:32,800
♪ THIS FUNNY THING ♪

5
00:00:32,800 --> 00:00:36,400
♪ CALLED LOVE ♪

6
00:00:36,400 --> 00:00:38,700
♪ JUST WHO CAN SOLVE ♪

7
00:00:38,700 --> 00:00:42,533
♪ ITS MYSTERY? ♪

8
00:00:42,533 --> 00:00:45,567
♪ WHY SHOULD IT MAKE ♪

9
00:00:45,567 --> 00:00:49,500
♪ A FOOL OF ME? ♪

10
00:00:49,500 --> 00:00:51,600
♪ I SAW YOU THERE ♪

11
00:00:51,600 --> 00:00:55,567
♪ THAT WONDERFUL DAY ♪

12
00:00:55,567 --> 00:00:57,633
♪ YOU TOOK MY LOVE ♪

13
00:00:57,633 --> 00:01:01,333
♪ AND THREW IT AWAY ♪

14
00:01:01,333 --> 00:01:04,300
♪ AND SO I ASK THE LORD ♪

15
00:01:04,300 --> 00:01:07,700
♪ IN HEAVEN ABOVE ♪

16
00:01:07,700 --> 00:01:10,700
♪ WHAT IS THIS THING ♪

17
00:01:10,700 --> 00:01:15,867
♪ CALLED LOVE? ♪

18
00:01:17,200 --> 00:01:22,400
♪ CALLED LOVE ♪

19
00:01:53,533 --> 00:01:57,200
(both moaning)

20
00:02:09,600 --> 00:02:12,600
(moaning continues)

21
00:02:35,200 --> 00:02:38,433
(moaning continues)

22
00:02:46,300 --> 00:02:49,333
(both panting)

23
00:02:53,700 --> 00:02:55,533
SO...

24
00:02:55,533 --> 00:02:57,433
A DRAGON.

25
00:02:57,433 --> 00:03:01,166
IT'S LIKE A...
BIKER BITCH CHOICE.

26
00:03:01,166 --> 00:03:02,800
WHAT DOES IT EAT?

27
00:03:02,800 --> 00:03:04,266
MEN'S DREAMS.

28
00:03:04,266 --> 00:03:07,333
UH-HUH.

29
00:03:07,333 --> 00:03:08,900
WHAT?

30
00:03:08,900 --> 00:03:13,467
OH. THIS IS NOT THE JOCELYN
I KNOW.

31
00:03:13,467 --> 00:03:15,433
YOU DID THIS ON A WHIM?

32
00:03:15,433 --> 00:03:17,567
WELL, MAYBE YOU LIKE THE JOCELYN
YOU DON'T KNOW

33
00:03:17,567 --> 00:03:19,433
BETTER THAN THE ONE YOU DO.

34
00:03:19,433 --> 00:03:22,233
BEFORE I RESPOND, WHICH ONE
AM I TALKING TO RIGHT NOW?

35
00:03:22,233 --> 00:03:27,166
YOU'RE ASKING THE WRONG PERSON.
I AM NOT EVEN HERE.

36
00:03:27,166 --> 00:03:29,400
I AM IN A PLACE OF BLISS.

37
00:03:29,400 --> 00:03:31,734
THAT'S WHAT YOU DO TO ME,
MICHAEL.

38
00:03:31,734 --> 00:03:33,500
MMM.

39
00:03:33,500 --> 00:03:37,400
(moaning)

40
00:03:37,400 --> 00:03:39,433
(doorbell rings)

41
00:03:39,433 --> 00:03:41,800
FUCK. (sighs) MY MOTHER.

42
00:03:41,800 --> 00:03:44,233
SHE'S HALF AN HOUR EARLY.

43
00:03:44,233 --> 00:03:46,900
IT'S 7:45.
WHAT'S SHE DOING HERE?

44
00:03:46,900 --> 00:03:50,734
I TOLD YOU. SHE'S TAKING ME
ON A SPA WEEKEND IN SAN DIEGO.

45
00:03:50,734 --> 00:03:53,300
I'M NOT LIFTING A FINGER
UNTIL SUNDAY.

46
00:03:53,300 --> 00:03:55,467
BET YOUR MOTHER WILL FEEL
RIGHT AT HOME WITH THAT DRAGON.

47
00:03:55,467 --> 00:03:56,667
(growls)

48
00:03:56,667 --> 00:03:58,200
HEY.

49
00:03:58,200 --> 00:04:00,266
(both moaning)

50
00:04:00,266 --> 00:04:02,300
GO.

51
00:04:04,900 --> 00:04:06,934
OH. THANK YOU.

52
00:04:06,934 --> 00:04:09,834
THANKS.

53
00:04:15,867 --> 00:04:18,133
(grunts, clears throat)

54
00:04:18,133 --> 00:04:19,800
YOU ALL RIGHT, LUTHER?

55
00:04:19,800 --> 00:04:24,200
OH, YES. JUST... REACTING
TO THE PRICES OF THESE ENTREES.

56
00:04:24,200 --> 00:04:27,834
$125 FOR A STEAK?

57
00:04:27,834 --> 00:04:30,266
RELAX, LUTHER.

58
00:04:30,266 --> 00:04:33,900
YOU'RE GOING TO EXPENSE THIS
TO MY FATHER ANYWAY.

59
00:04:33,900 --> 00:04:35,667
WELL, I TAKE UMBRAGE.

60
00:04:35,667 --> 00:04:38,233
I WONDER WHAT THEY CHARGE
FOR THAT.

61
00:04:38,233 --> 00:04:40,900
IT'S KOBE BEEF, LUTHER.
MM-HMM.

62
00:04:40,900 --> 00:04:45,734
IT'S GENTLY YET THOROUGHLY
MASSAGED BY HAND,

63
00:04:45,734 --> 00:04:47,567
AND SOMETIMES EVEN BY FOOT.

64
00:04:47,567 --> 00:04:49,233
MM, MM, MM.

65
00:04:49,233 --> 00:04:50,767
FOOT, HUH?

66
00:04:50,767 --> 00:04:52,433
OH, THAT'S REMARKABLE,
DON'T YOU THINK, LUTHER?

67
00:04:52,433 --> 00:04:55,166
(giggles) OH, YES.

68
00:04:55,166 --> 00:04:56,500
(chuckles)

69
00:04:56,500 --> 00:05:02,734
LUTHER. (speaking Javanese)

70
00:05:02,734 --> 00:05:11,934
(speaking Javanese)

71
00:05:11,934 --> 00:05:15,166
(grunting,
continues speaking Javanese)

72
00:05:15,166 --> 00:05:16,800
UHH.

73
00:05:16,800 --> 00:05:20,400
WHAT LANGUAGE IS THAT
YOU'RE SPEAKING, LUTHER?

74
00:05:20,400 --> 00:05:22,166
IT'S JAVANESE.

75
00:05:22,166 --> 00:05:24,834
UH, YOU MEAN... JAPANESE.

76
00:05:24,834 --> 00:05:30,467
NO, JAVANESE.  FROM JAVA.

77
00:05:30,467 --> 00:05:34,633
AH, AND, UM,
WHAT DO WE KNOW OF JAVA?

78
00:05:34,633 --> 00:05:38,367
IT'S WHERE THE LEGENDARY FOSSIL
OF JAVA MAN WAS FOUND.

79
00:05:41,800 --> 00:05:43,533
OH, FANTASTIC.

80
00:05:43,533 --> 00:05:46,734
I DIDN'T KNOW YOU WERE SUCH
A FOSSIL BUFF, DARLING.

81
00:05:46,734 --> 00:05:48,600
(both chuckle)

82
00:05:48,600 --> 00:05:51,333
GO ON, LUTHER.

83
00:05:51,333 --> 00:05:55,900
FOR... GOD SAKES. ELABORATE.
WELL...

84
00:05:55,900 --> 00:05:58,467
WELL, TO NO ONE'S SURPRISE,

85
00:05:58,467 --> 00:05:59,800
AND GIVEN
THE ABUNDANT RAINFALL,

86
00:05:59,800 --> 00:06:03,166
THE RICE FIELDS IN JAVA
ARE AMONG THE...

87
00:06:03,166 --> 00:06:04,800
WETTEST IN THE WORLD.

88
00:06:04,800 --> 00:06:08,333
REALLY? HOW WET?

89
00:06:08,333 --> 00:06:10,200
SOAKING.

90
00:06:10,200 --> 00:06:12,300
SOAKING.
(whimpers)

91
00:06:12,300 --> 00:06:15,200
(laughs) OKAY, WELL, HONEY,
LET'S GET SOME BEEF, HUH?

92
00:06:15,200 --> 00:06:16,633
(dish clatters)

93
00:06:16,633 --> 00:06:19,567
THAT DINNER WENT ON
FUCKING FOREVER.

94
00:06:19,567 --> 00:06:22,600
I THOUGHT LUTHER WOULD NEVER
SHUT UP ABOUT JAVA.

95
00:06:22,600 --> 00:06:26,166
LIKE I GIVE A BROWN DOUGHNUT.

96
00:06:26,166 --> 00:06:29,233
YOU KNOW WHAT WAS THE BEST TIME
OF MY MARRIAGE TO PEMMIE?

97
00:06:29,233 --> 00:06:31,433
THE YEAR SHE WAS IN PRISON
FOR TAX EVASION.

98
00:06:31,433 --> 00:06:33,667
MY COCK FINALLY GOT A BREAK.

99
00:06:33,667 --> 00:06:35,600
THE WOMAN IS INSATIABLE.

100
00:06:35,600 --> 00:06:40,834
SHE'LL GRIND ANY MAN DOWN
LIKE A PIECE OF WOOD ON A LATHE.

101
00:06:40,834 --> 00:06:45,500
BEFORE I MET HER,
I REALLY LOVED SEX.

102
00:06:45,500 --> 00:06:48,500
BUT SHE JUST WORE ME OUT.

103
00:06:48,500 --> 00:06:50,600
SO WHY DO I STAY WITH HER?

104
00:06:50,600 --> 00:06:52,433
(chuckles)

105
00:06:52,433 --> 00:06:56,300
'CAUSE WE GOT SOMETHING
TOGETHER.

106
00:06:56,300 --> 00:07:01,767
DO NOT MENTION THIS TO MY COCK.

107
00:07:10,367 --> 00:07:13,166
SHE'S DRIVING MUCH CALMER SINCE
THE ANGER MANAGEMENT CLASSES.

108
00:07:15,300 --> 00:07:17,433
YOU ACTUALLY ASKED
TO COME ON A RIDE-ALONG?

109
00:07:17,433 --> 00:07:19,633
DID YOU KNOW
SHE WAS DRIVING?

110
00:07:19,633 --> 00:07:22,233
MICHAEL WANTED TO SEE WHAT I DO
WHEN WE'RE NOT TOGETHER

111
00:07:22,233 --> 00:07:24,533
TRYING TO KILL EACH OTHER.

112
00:07:28,734 --> 00:07:30,567
(speaking indistinctly)

113
00:07:32,567 --> 00:07:34,300
HEY, PRESTON.

114
00:07:34,300 --> 00:07:35,533
THE BIG GUY--
ISN'T THAT LINDELL?

115
00:07:35,533 --> 00:07:37,300
FUCKHEAD NEVER LEARNS.

116
00:07:37,300 --> 00:07:39,133
DOWN, MICHAEL, DOWN!

117
00:07:39,133 --> 00:07:44,800
(siren wailing)

118
00:07:44,800 --> 00:07:47,500
(tires screech)

119
00:07:47,500 --> 00:07:50,233
YOU GET LINDELL.
I'LL GET HECKLE AND JECKLE.

120
00:07:50,233 --> 00:07:51,800
STOP, OR I'LL SHOOT!

121
00:07:54,834 --> 00:07:56,333
(gunshot)

122
00:07:56,333 --> 00:07:58,367
LIZ!

123
00:07:58,367 --> 00:08:00,400
STAY IN THE CAR!

124
00:08:08,467 --> 00:08:12,500
(panting)

125
00:08:12,500 --> 00:08:13,867
HEY, HEY, HEY! JEEZ!

126
00:08:13,867 --> 00:08:15,834
DIDN'T I TELL YOU
TO STAY IN THE CAR?

127
00:08:15,834 --> 00:08:17,367
OHH!

128
00:08:17,367 --> 00:08:20,667
RELAX.
(laughs) I'M NOT DEAD.

129
00:08:20,667 --> 00:08:22,200
UNIT 407,
WE HAVE AN OFFICER DOWN.

130
00:08:22,200 --> 00:08:23,433
PUT SOME PRESSURE ON THE WOUND
RIGHT HERE.

131
00:08:23,433 --> 00:08:25,133
RIGHT THERE.

132
00:08:25,133 --> 00:08:27,400
STAY HERE.
I'LL GUIDE THE AMBULANCE IN.

133
00:08:27,400 --> 00:08:29,233
(panting)

134
00:08:29,233 --> 00:08:32,333
YOU GLAD YOU CAME? (panting)

135
00:08:32,333 --> 00:08:36,200
PUT SOME PRESSURE
DOWN THERE. (groaning)

136
00:08:36,200 --> 00:08:37,734
N-NOT SO HARD.

137
00:08:37,734 --> 00:08:40,233
OKAY. ARE YOU OKAY?

138
00:08:40,233 --> 00:08:43,400
ME? NEVER BETTER.

139
00:08:43,400 --> 00:08:47,500
JUST A FLESH WOUND.
(laughs)

140
00:08:47,500 --> 00:08:49,800
(siren wailing in distance)

141
00:08:49,800 --> 00:08:52,567
(gasps)

142
00:08:52,567 --> 00:08:56,467
(seagulls crying)

143
00:09:02,133 --> 00:09:04,600
HEY.

144
00:09:04,600 --> 00:09:06,166
OH.

145
00:09:06,166 --> 00:09:07,667
MMM.

146
00:09:07,667 --> 00:09:09,867
MMM.
MMM.

147
00:09:09,867 --> 00:09:11,767
HOW YOU DOING?

148
00:09:11,767 --> 00:09:13,333
FINE.

149
00:09:13,333 --> 00:09:14,900
YEAH?

150
00:09:14,900 --> 00:09:16,700
NOT THE FIRST TIME
I'VE BEEN SHOT.

151
00:09:16,700 --> 00:09:18,433
HOW MANY TIMES?

152
00:09:18,433 --> 00:09:21,734
COUPLE. WHAT DOES IT MATTER?

153
00:09:21,734 --> 00:09:24,600
OH, I DON'T KNOW.
LIFE, DEATH, AHH.

154
00:09:24,600 --> 00:09:29,133
(chuckles) YOU'RE FAR
TOO MELODRAMATIC, YOU KNOW THAT?

155
00:09:29,133 --> 00:09:31,600
LIZ, YOU WERE SHOT.

156
00:09:31,600 --> 00:09:33,367
I'VE BEEN FULL OF HOLES
FOREVER.

157
00:09:33,367 --> 00:09:35,867
WHAT'S ONE MORE? (chuckles)

158
00:09:35,867 --> 00:09:39,867
HEY. COME HERE.

159
00:09:39,867 --> 00:09:42,700
HEY, YOU WERE SHOT.

160
00:09:42,700 --> 00:09:46,700
HEY. BUT NOT IN THE MOUTH.

161
00:09:46,700 --> 00:09:48,166
(both moaning)

162
00:09:48,166 --> 00:09:50,734
COME HERE.

163
00:09:52,233 --> 00:09:54,367
OHH.

164
00:09:54,367 --> 00:09:56,367
(computer alert playing)

165
00:09:56,367 --> 00:10:00,467
UGH. I GOTTA GO GET THAT.
IT'S THE OFFICE.

166
00:10:02,633 --> 00:10:04,900
(sighs deeply)

167
00:10:04,900 --> 00:10:07,500
(alert continues playing)

168
00:10:07,500 --> 00:10:09,367
Ah, there you are, Michael.

169
00:10:09,367 --> 00:10:11,400
Hello, Michael.

170
00:10:11,400 --> 00:10:13,567
How's the franchise agreement
coming along?

171
00:10:13,567 --> 00:10:16,900
A LOT... FASTER
NOW THAT I DECIDED TO DRAFT IT

172
00:10:16,900 --> 00:10:18,734
on my dad's boat.

173
00:10:18,734 --> 00:10:20,200
NOW I NEED IT
FIRST THING IN THE MORNING, HMM?

174
00:10:20,200 --> 00:10:22,467
AH, IT'LL BE THERE.

175
00:10:22,467 --> 00:10:24,433
Michael,
I want you to meet someone.

176
00:10:24,433 --> 00:10:26,333
Say hello to the reason
you are working so hard.

177
00:10:26,333 --> 00:10:27,800
Mirella Brenetti.

178
00:10:27,800 --> 00:10:29,333
Buon giorno, Michele.

179
00:10:29,333 --> 00:10:31,800
BUON GIORNO.
IT'S AN HONOR.

180
00:10:31,800 --> 00:10:33,367
I HAD ONE OF THE BEST MEALS
OF MY LIFE

181
00:10:33,367 --> 00:10:36,533
at Ristorante Brenetti
in Florence.

182
00:10:36,533 --> 00:10:37,800
AH, PERFETTO.

183
00:10:37,800 --> 00:10:39,467
I WILL HAVE MY HUSBAND
PREPARE YOU

184
00:10:39,467 --> 00:10:41,333
UN PIATTO COSI SPECIALE

185
00:10:41,333 --> 00:10:43,700
AT THE NEW BRENETTI'S
LAS VEGAS.

186
00:10:43,700 --> 00:10:47,166
CIAO, MICHELE.
CIAO!

187
00:10:47,166 --> 00:10:48,934
(taps key)
(giggles)

188
00:10:48,934 --> 00:10:53,934
DON'T EVER DO THAT... AGAIN.

189
00:10:55,300 --> 00:10:56,600
I'M GONNA GO HOME.

190
00:10:56,600 --> 00:10:57,867
NO, YOU DON'T.

191
00:10:57,867 --> 00:11:00,200
THERE'S NO ONE THERE
TO TAKE CARE OF YOU.

192
00:11:00,200 --> 00:11:02,300
I DON'T NEED ANYBODY
TO TAKE CARE OF ME.

193
00:11:02,300 --> 00:11:06,367
AH. THAT'S WHAT THIS
IS ALL ABOUT.

194
00:11:06,367 --> 00:11:08,667
THAT'S WHAT WHAT'S ABOUT?

195
00:11:08,667 --> 00:11:13,867
YOU CAN'T STAND ANYBODY
LOOKING AFTER YOU,

196
00:11:13,867 --> 00:11:16,834
SHOWING YOU SOME CONCERN.

197
00:11:16,834 --> 00:11:18,867
YEAH? SO?

198
00:11:18,867 --> 00:11:20,600
HEY.

199
00:11:48,900 --> 00:11:50,800
MMM.

200
00:11:50,800 --> 00:11:52,633
WHEATGRASS.

201
00:11:52,633 --> 00:11:57,467
OH! IT TASTES LIKE MY MOUTH
HAS JUST BEEN MOWED.

202
00:11:57,467 --> 00:11:59,367
(sighs and coughs)

203
00:11:59,367 --> 00:12:01,266
WHAT ARE YOU DRINKING THERE,
DARLING?

204
00:12:01,266 --> 00:12:02,700
IT'S NAKED CHARDONNAY.

205
00:12:02,700 --> 00:12:04,667
MMM.

206
00:12:06,200 --> 00:12:07,533
IT'S PERFECTION.

207
00:12:09,500 --> 00:12:11,667
MMM.

208
00:12:14,367 --> 00:12:17,266
PERFECTION--
THAT'S FUCKING GREAT.

209
00:12:17,266 --> 00:12:19,400
(laughs) YOU SHOULD WRITE
WINE REVIEWS, MOTHER.

210
00:12:19,400 --> 00:12:22,667
DID I TELL YOU
A GARDENER SAW US?

211
00:12:24,133 --> 00:12:27,433
ME AND MICHAEL IN THE BEDROOM,
NAKED.

212
00:12:27,433 --> 00:12:30,467
(laughs)
HOW MUCH DID HE SEE?

213
00:12:30,467 --> 00:12:34,400
WE WERE IN THE AFTERGLOW.
MM?

214
00:12:34,400 --> 00:12:36,900
MICHAEL IS QUITE A LOVER.

215
00:12:36,900 --> 00:12:41,467
WELL, I'M SURE I'M TRANSGRESSING
SOME FREUDIAN BOUNDARIES,

216
00:12:41,467 --> 00:12:44,400
BUT YOUR FATHER
IS NOT SO BAD.

217
00:12:44,400 --> 00:12:46,467
HE COULD TURN PRO.

218
00:12:46,467 --> 00:12:47,867
WHY, THERE'S THIS LITTLE THING
THAT HE DOES--OHH!

219
00:12:47,867 --> 00:12:51,900
OKAY, MOTHER. T.M.I.
T.M.I.

220
00:12:51,900 --> 00:12:54,700
YOU BROUGHT IT UP.

221
00:12:54,700 --> 00:12:58,934
I BROUGHT UP ME,  NOT YOU
AND MY FATHER THE... PRO.

222
00:12:58,934 --> 00:13:01,300
WELL, POINT IS,

223
00:13:01,300 --> 00:13:05,433
THANKS TO YOUR DAD'S SKILLS
AND STAGGERING SPERM COUNT,

224
00:13:05,433 --> 00:13:07,200
YOU'RE HERE.

225
00:13:07,200 --> 00:13:09,567
WE SHOULD CELEBRATE
THE MAN AND HIS PENIS.

226
00:13:09,567 --> 00:13:11,567
YOU SAID "PENIS."

227
00:13:11,567 --> 00:13:13,400
I DIDN'T JUST IMAGINE THAT.

228
00:13:13,400 --> 00:13:15,800
MY ASTHMA HAS
A WHOLE NEW TRIGGER NOW.

229
00:13:15,800 --> 00:13:18,834
YEAH. IT'S GIRL TALK.

230
00:13:18,834 --> 00:13:20,700
TRYING TO BOND.

231
00:13:20,700 --> 00:13:22,633
(chuckles)

232
00:13:22,633 --> 00:13:25,567
(sighs) THIS PLACE IS NICE.

233
00:13:25,567 --> 00:13:27,767
A CHANCE
TO FORGET WHO WE ARE.

234
00:13:27,767 --> 00:13:29,467
YOU NEVER WANNA DO THAT.

235
00:13:29,467 --> 00:13:31,266
THERE ARE TOO MANY PEOPLE
OUT THERE

236
00:13:31,266 --> 00:13:32,800
READY TO DO IT FOR YOU.

237
00:13:34,367 --> 00:13:37,367
(sighs)

238
00:13:42,667 --> 00:13:44,767
(ice cubes rattle)

239
00:13:49,633 --> 00:13:51,433
WHAT TIME'S YOUR FLIGHT?

240
00:13:51,433 --> 00:13:53,533
(sighs) 7:00.

241
00:13:53,533 --> 00:13:56,433
MEANS YOU'LL BE IN FLORENCE
BY MID-MORNING.

242
00:13:59,367 --> 00:14:03,233
REMEMBER WATCHING THE SUNRISE
TOGETHER WHEN WE FLEW BACK?

243
00:14:05,834 --> 00:14:07,934
I'VE HAD SUCH A WONDERFUL TIME
WITH YOU, ARTHUR.

244
00:14:07,934 --> 00:14:09,333
HMM?

245
00:14:09,333 --> 00:14:10,867
WE COULD HAVE THIS
ALL THE TIME.

246
00:14:12,934 --> 00:14:15,400
THAT WOULD RUIN EVERYTHING.

247
00:14:26,100 --> 00:14:30,200
(seagulls crying)

248
00:14:34,467 --> 00:14:36,633
(sighs)

249
00:14:39,767 --> 00:14:41,900
HEY, REMBRANDT.

250
00:14:41,900 --> 00:14:45,133
YOU'RE BLEEDIN'.

251
00:14:45,133 --> 00:14:46,767
AREN'T WE ALL?

252
00:14:46,767 --> 00:14:48,467
(chuckles)

253
00:14:48,467 --> 00:14:51,200
YOU MUST BE
MIKEY'S NEW FRIEND LIZ.

254
00:14:51,200 --> 00:14:52,567
I'M VIC.

255
00:14:54,166 --> 00:14:56,467
SHOT OR STABBED?

256
00:14:56,467 --> 00:14:58,533
SHOT. IT'S THE FLESH WOUND.

257
00:14:58,533 --> 00:15:01,934
I GOT A MILLION OF THOSE.
THAT'S WHY I ACT THE WAY I DO.

258
00:15:01,934 --> 00:15:03,767
(laughs)

259
00:15:03,767 --> 00:15:06,300
YOU HUNGRY?
YEAH.

260
00:15:06,300 --> 00:15:08,200
COME ON.

261
00:15:12,166 --> 00:15:13,433
TUNA FISH.

262
00:15:13,433 --> 00:15:17,100
MY SPECIALTY.

263
00:15:17,100 --> 00:15:20,700
TO BE HONEST,
I EAT IT FOR THE MERCURY.

264
00:15:20,700 --> 00:15:23,333
FIGURE ONE DAY, IT'LL MAKE
MY COCK LIGHT UP IN THE DARK.

265
00:15:23,333 --> 00:15:25,867
(chuckles) THAT'D BE GREAT.
YOU CAN READ IN BED.

266
00:15:25,867 --> 00:15:28,500
I'LL HAVE TO BUY A BOOK.

267
00:15:28,500 --> 00:15:32,567
(laughs) MICHAEL'S TOLD ME
ABOUT YOU.

268
00:15:32,567 --> 00:15:35,700
MM. WHAT'D HE SAY?

269
00:15:35,700 --> 00:15:37,800
THAT HE WISHES
HE WAS MORE LIKE YOU.

270
00:15:37,800 --> 00:15:40,700
BAD IDEA.

271
00:15:40,700 --> 00:15:43,333
THERE'S ENOUGH OF ME
TO GO AROUND FOR EVERYBODY.

272
00:15:43,333 --> 00:15:45,800
(chuckles)

273
00:15:45,800 --> 00:15:49,734
UM, SO... YOU DON'T CARE
THAT MICHAEL'S SEEING ME?

274
00:15:49,734 --> 00:15:51,533
A GUY WHO'S ENGAGED?

275
00:15:51,533 --> 00:15:55,300
I BELIEVE IN THE THEORY
OF MAGNETIC NORTH.

276
00:15:55,300 --> 00:15:57,633
NO MATTER WHERE YOU THINK
YOU ARE,

277
00:15:57,633 --> 00:16:01,834
WHERE YOU THINK YOU WANNA BE,
YOU'RE DRAWN TO MAGNETIC NORTH.

278
00:16:01,834 --> 00:16:06,400
AND YOU, MY DEAR,
ARE MAGNETIC NORTH.

279
00:16:06,400 --> 00:16:08,633
(chuckles)

280
00:16:08,633 --> 00:16:12,333
HEY, UM, THANKS FOR LETTING ME
STAY ON YOUR BOAT.

281
00:16:12,333 --> 00:16:15,500
ANYTIME, AND IT'S A YACHT.
OH.

282
00:16:15,500 --> 00:16:17,300
YOU THINK I'D SPEND
THIS KIND OF MONEY ON A BOAT?

283
00:16:17,300 --> 00:16:19,600
(laughs)

284
00:16:19,600 --> 00:16:24,433
UM... VIC, I SHOULD--
I SHOULD GET GOING.

285
00:16:24,433 --> 00:16:25,700
WHAT? WHAT? I'M JUST
GETTING TO KNOW YA.

286
00:16:25,700 --> 00:16:27,400
WHERE DO YOU HAVE TO GO?

287
00:16:27,400 --> 00:16:28,667
HOME.

288
00:16:28,667 --> 00:16:31,266
WELL, PROBABLY A GOOD IDEA.

289
00:16:31,266 --> 00:16:32,767
STICK AROUND HERE
MUCH LONGER,

290
00:16:32,767 --> 00:16:34,600
I'LL JUST END UP
MARRYING YOU.

291
00:16:34,600 --> 00:16:36,600
OH. (laughs)
WHAT'S YOUR RING SIZE?

292
00:16:36,600 --> 00:16:38,500
(both laugh)

293
00:16:38,500 --> 00:16:40,867
COME ON.
FINISH YOUR LUNCH.

294
00:16:40,867 --> 00:16:42,367
YOU CAN DO THAT.
OKAY.

295
00:16:46,367 --> 00:16:48,500
(sighs)

296
00:16:48,500 --> 00:16:50,734
(knocks on door)

297
00:16:50,734 --> 00:16:53,567
AH. MICHAEL, MEET HANSINE.

298
00:16:53,567 --> 00:16:57,667
IT MEANS "GOD IS GOOD"
IN NORWEGIAN.

299
00:16:57,667 --> 00:16:59,367
(Norwegian accent)
I LOVE YOUR CUT,

300
00:16:59,367 --> 00:17:03,367
BUT IF YOU EVER WANT IT
CLOSER AND TIGHTER, CALL ME.

301
00:17:03,367 --> 00:17:05,567
SHE WON A TROPHY

302
00:17:05,567 --> 00:17:08,400
IN OSLO
FOR BEST SIDEBURN DESIGN.

303
00:17:08,400 --> 00:17:13,133
LONG IS BEST, BUT THEY MUST
ALIGN WITH THE LIPS

304
00:17:13,133 --> 00:17:14,734
TO BE TRULY ALIVE.

305
00:17:14,734 --> 00:17:18,467
SO, HOW'S LIFE ON THE HIGH SEAS
WITH DIRTY HARRIET?

306
00:17:18,467 --> 00:17:20,600
SHE'S GETTING THERE.
MM.

307
00:17:20,600 --> 00:17:22,834
YOU BELIEVE THIS?
SPENT ALL NIGHT LAST NIGHT

308
00:17:22,834 --> 00:17:26,200
WORKING ON THE BRENETTI
FRANCHISE AGREEMENTS FOR ARTHUR,

309
00:17:26,200 --> 00:17:27,767
AND HE'S NOT EVEN HERE?

310
00:17:27,767 --> 00:17:30,433
HE WAS IN A WEIRD FUNK
THIS MORNING.

311
00:17:30,433 --> 00:17:32,734
HE SAID...
"DID YOU EVER THINK

312
00:17:32,734 --> 00:17:34,734
"SOMETHING WOULD GO ONE WAY
IN YOUR LIFE,

313
00:17:34,734 --> 00:17:37,533
"AND THEN WHEN YOU'VE DISCOVERED
YOU ARE WRONG,

314
00:17:37,533 --> 00:17:40,133
IT SHOOK THE PRIMAL ORDER?"

315
00:17:40,133 --> 00:17:42,233
HE SAID THAT?
MM.

316
00:17:42,233 --> 00:17:43,834
YOU THINK HE'S COMING OUT?

317
00:17:43,834 --> 00:17:46,266
I HOPE NOT. HE DOESN'T HAVE
THE WARDROBE FOR IT.

318
00:17:46,266 --> 00:17:48,900
VERY TRUE.

319
00:17:48,900 --> 00:17:50,600
(chuckles)

320
00:17:50,600 --> 00:17:54,433
I AM THE LAST LIVING ACOLYTE
OF THE SWAMI AMRAVATI

321
00:17:54,433 --> 00:17:57,667
WHO WAS, AS YOU ALL KNOW,
WAS THE GREATEST PROPONENT

322
00:17:57,667 --> 00:18:00,467
OF THE 10-HOUR ORGASM.

323
00:18:00,467 --> 00:18:06,266
I WAS HIS LOVER FROM 1951 TO '53
AND THE INSPIRATION

324
00:18:06,266 --> 00:18:10,834
FOR HIS FIRST BOOK, "THE RIGORS
OF ENDLESS PLEASURE."

325
00:18:10,834 --> 00:18:13,600
I REMEMBER THE SUMMER WE MET
AT HIS SEASIDE RETREAT

326
00:18:13,600 --> 00:18:17,133
IN JAMMU AND KASHMIR.

327
00:18:17,133 --> 00:18:19,233
IT WAS THERE THAT HE TAUGHT
THE ANCIENT SECRETS

328
00:18:19,233 --> 00:18:22,467
OF BREATH CONTROL
AND CLITORAL LEVITATION.

329
00:18:22,467 --> 00:18:27,166
THERE ARE THOSE WHO SAY HE DIED,
BUT I WAS THERE.

330
00:18:27,166 --> 00:18:30,600
AFTER HE AND I HAD
AN ALL-DAY LOVEMAKING SESSION,

331
00:18:30,600 --> 00:18:36,667
THE SWAMI HAD AN 11-HOUR ORGASM
AND SIMPLY DEMATERIALIZED.

332
00:18:36,667 --> 00:18:39,767
NOW THAT'S... AN ORGASM.

333
00:18:48,166 --> 00:18:50,834
OHH.

334
00:18:50,834 --> 00:18:53,500
MMM.

335
00:18:53,500 --> 00:18:55,667
OHH.

336
00:18:55,667 --> 00:18:59,433
(moaning)

337
00:18:59,433 --> 00:19:02,133
WOW. AHH.

338
00:19:02,133 --> 00:19:05,633
(sighing and moaning)

339
00:19:07,767 --> 00:19:09,266
(gasps)

340
00:19:09,266 --> 00:19:11,767
(moans)

341
00:19:19,834 --> 00:19:22,066
OHH.
(gasps)

342
00:19:22,066 --> 00:19:26,166
(both gasping)

343
00:19:29,700 --> 00:19:33,367
(panting)

344
00:19:42,367 --> 00:19:45,233
MM! OH, GOD!

345
00:19:45,233 --> 00:19:48,867
AHH! MM.

346
00:19:48,867 --> 00:19:50,633
(sighs)

347
00:19:50,633 --> 00:19:51,867
(laughs)

348
00:19:51,867 --> 00:19:55,333
(sighs)
YOU DO ME IN, COUNSELOR.

349
00:19:55,333 --> 00:19:56,633
(gasps)

350
00:19:56,633 --> 00:19:58,200
WHAT CAN I DO FOR YOU?

351
00:19:58,200 --> 00:20:03,533
I'M WOUNDED,
BUT I'M MOTIVATED.

352
00:20:03,533 --> 00:20:04,800
MMM.

353
00:20:08,700 --> 00:20:10,200
MMM.

354
00:20:12,400 --> 00:20:14,767
I'D LIKE TO FALL ASLEEP
NEXT TO YOU.

355
00:20:14,767 --> 00:20:17,367
I'D LIKE THAT, TOO.

356
00:20:17,367 --> 00:20:19,567
OKAY.

357
00:20:28,133 --> 00:20:29,767
HOW'S THE PAIN?

358
00:20:29,767 --> 00:20:32,567
PAIN IS FOR PEOPLE
WHO FEEL PAIN.

359
00:20:34,433 --> 00:20:36,333
I MET YOUR DAD TODAY.

360
00:20:36,333 --> 00:20:38,900
OH, YEAH?
HE HIT ON YOU?

361
00:20:38,900 --> 00:20:42,333
HE TALKED TO ME.

362
00:20:42,333 --> 00:20:43,934
THAT'S NOT LIKE HIM.

363
00:20:43,934 --> 00:20:45,667
HMM.

364
00:20:45,667 --> 00:20:48,300
EVERYONE HAS SIDES.

365
00:20:54,633 --> 00:20:56,300
(Liz grunts)

366
00:20:56,300 --> 00:20:58,166
FUCK!

367
00:20:58,166 --> 00:21:01,233
(grunting)

368
00:21:05,300 --> 00:21:07,367
(panting)

369
00:21:07,367 --> 00:21:08,667
HEY, YOU OKAY?

370
00:21:08,667 --> 00:21:11,200
GET AWAY.
LIZ.

371
00:21:11,200 --> 00:21:14,400
GET AWAY!
OKAY, OKAY.
WHAT'S GOING ON?

372
00:21:14,400 --> 00:21:16,700
I DROPPED MY LAST PAIN PILL,
AND I CAN'T FUCKING FIND IT.

373
00:21:16,700 --> 00:21:20,700
AND I'M IN FUCKING PAIN.
SO JUST GET THE FUCK OUT!

374
00:21:20,700 --> 00:21:22,900
I'LL HELP YOU FIND THE PILL.

375
00:21:22,900 --> 00:21:24,600
GET THE FUCK OUT!

376
00:21:24,600 --> 00:21:26,433
HEY! HEY, CALM DOWN.

377
00:21:27,600 --> 00:21:29,700
STOP IT.

378
00:21:29,700 --> 00:21:31,834
(whimpers)
OH, OKAY.

379
00:21:31,834 --> 00:21:33,767
COME HERE. COME HERE.

380
00:21:33,767 --> 00:21:35,433
(grunts)

381
00:21:35,433 --> 00:21:37,433
LET'S LIE YOU DOWN,
AND I'LL FIND THE PILL.

382
00:21:37,433 --> 00:21:38,834
(clatter)

383
00:21:38,834 --> 00:21:41,767
IT'S OKAY.
PAIN BUILDS CHARACTER.

384
00:21:41,767 --> 00:21:43,533
YOU KNOW WHO SAID THAT?

385
00:21:43,533 --> 00:21:45,333
NO.

386
00:21:45,333 --> 00:21:46,633
GUESS.

387
00:21:46,633 --> 00:21:47,934
(grunts) KENNEDY?

388
00:21:47,934 --> 00:21:49,700
NO.

389
00:21:49,700 --> 00:21:53,567
IT WAS MY MOTHER,
TWO MONTHS BEFORE SHE DIED.

390
00:21:53,567 --> 00:21:57,667
SO IT DIDN'T BUILD CHARACTER
AT ALL. IT JUST... KILLED HER.

391
00:21:57,667 --> 00:22:00,367
I'M SORRY. I DIDN'T KNOW THAT,
LIZ. YOU NEVER TOLD ME THAT.

392
00:22:00,367 --> 00:22:03,367
IT WASN'T MUCH OF A STORY.

393
00:22:03,367 --> 00:22:06,734
SHE WAS FINE, AND THEN...
THEN WE BURIED HER.

394
00:22:06,734 --> 00:22:08,433
(sniffles)

395
00:22:09,734 --> 00:22:10,934
I'LL FIND THE PILL.

396
00:22:13,233 --> 00:22:15,467
OH, GOD, I HATE YOU
BEING SO NICE TO ME.

397
00:22:15,467 --> 00:22:17,567
I KNOW.
YOU KNOW, I REALLY DO.

398
00:22:17,567 --> 00:22:18,900
OH, I KNOW.

399
00:22:20,533 --> 00:22:22,467
(under breath) FUCK.

400
00:22:22,467 --> 00:22:23,734
(exhales deeply)

401
00:22:25,567 --> 00:22:29,600
(cell phone rings)

402
00:22:29,600 --> 00:22:31,266
HI, STRANGER.
HI.

403
00:22:31,266 --> 00:22:32,734
What are you doing?

404
00:22:32,734 --> 00:22:36,166
UH, WORKING LATE.

405
00:22:36,166 --> 00:22:38,433
HOW WAS THE MOTHER/DAUGHTER
WEEKEND?

406
00:22:38,433 --> 00:22:41,900
MM, THE PERFECT PEDICURE
SOLVES EVERY PROBLEM IN LIFE.

407
00:22:41,900 --> 00:22:43,667
YOU HAVE PROBLEMS?

408
00:22:43,667 --> 00:22:46,133
WE HAD A BLAST, GOSSIPING,

409
00:22:46,133 --> 00:22:47,533
eating like crazy.

410
00:22:47,533 --> 00:22:50,433
I mean, the place took forever
to get to,

411
00:22:50,433 --> 00:22:55,400
AND SOME OF THE WOMEN THERE
WERE JUST... OFF THE CHARTS.

412
00:22:55,400 --> 00:22:57,233
Here's a tip.

413
00:22:57,233 --> 00:23:00,300
Never get into a mud bath
next to a divorcée...

414
00:23:00,300 --> 00:23:01,900
(speaks indistinctly)
HUH? I'M LOSING YOU.

415
00:23:03,533 --> 00:23:05,467
HEY, CALL YOU TOMORROW.

416
00:23:09,300 --> 00:23:11,533
(sighs)

417
00:23:11,533 --> 00:23:13,900
HEY, OKAY, OPEN.

418
00:23:13,900 --> 00:23:16,667
(pants)

419
00:23:18,767 --> 00:23:21,667
(pants)

420
00:23:22,867 --> 00:23:24,433
(gulps)

421
00:23:24,433 --> 00:23:26,166
(bottle cap clicks)
MM.

422
00:23:27,533 --> 00:23:30,367
(giggles) THANK YOU.

423
00:23:34,200 --> 00:23:35,900
MM.

424
00:23:35,900 --> 00:23:55,934
MM. OW.


